![]() But none of the masked men and women terrorizing suburban Michigan offer any kind of personality, which makes it hard for them not to feel fake, as well. The most unnerving scene turns out to be fake it’s just a fantasy from a comic book, meant to set up attacks to come from a roaming gang of diabolical clowns. Even if you buy into Ally as an ignorant figure from 2016, “AHS” feels dated, and it surely doesn’t make for compelling TV.įor horror fans uncaring of political relevance or accurate representation, it should be noted that “ American Horror Story: Cult” is also quite boring. Who she is through three episodes doesn’t line up with a world where people like Ally are becoming more aware, not more gullible. But Americans are already there, and they got there far faster than the show does. Perhaps the point is to show how fear makes us do things we never imagined, and Ally will eventually reach a breaking point where she fights back. It’s as if he’s saying, “We’re all susceptible to fear’s power.” That both characters are flawed literally and figuratively only lends to an apolitical takeaway from “AHS.” For the allegory, he’s a simpleton’s take on the fear-mongering far-right: His appeal is transparent, and yet he’s made out to be convincing far too convincing for an ultra-leftie like Ally.Īs the first three episodes progress, Ally and Kai’s relationship deepens, but where one might expect a bloody battle between the right and the left, Murphy nurtures an odd bond instead. His actions are predictable, and his motivations are narrow-minded. Kai is a cartoon - a clown, dare I say - and there’s no empathy given to any facet of his character, which causes two problems: For the story, he’s uninteresting. Similarly, Peters’ mini-Trump is all-knowing, all-powerful, and absolutely evil. What’s left is an annoying character and a problematic interpretation of liberal hysteria. Fear is used to motivate all her choices, even when they conflict within the narrative and its metaphors. She’s portrayed as a weak leftie whose imagination is out of control - she’s always making a big deal out of nothing, just like the “fake news” - but she’s also seen to be perfectly justified in acting the way she does. Ally is both a scared mother trying to protect her child from dangerous invaders and a batshit crazy crackpot who sees things that aren’t there. Clowns represent Trump.īut Trump is very real and the clowns are only really there half the time. His bright orange face and fake yellow hair are compared to the lurid makeup of a clown, and clowns end up terrorizing this small town. draw a direct parallel between the cartoonish circus performers and Donald Trump. Between them are a roaming band of clowns, who create widespread fear in the community because they just keep killing people.Īnd here’s where Season 7 starts to go off the rails: clowns. All and Ivy are a modern, liberal family, and Kai is an isolated member of the far-right. On one side, you have the fearful, and on the other you have the person inspiring fear. Kai speaks out against police overtime at a city council meeting because, “fear is currency - it has value,” and Kai wants to get rich from fear. Her antagonist is Kai, the TV-humping fellow who loves that fear is taking over the world and wants to use it to his advantage. 'The Crown' Weighs Too Heavily in a Dismal, Drawn Out Season 5ĥ0 Directors' Favorite Horror Movies: Bong Joon Ho, Quentin Tarantino, Guillermo del Toro, and Moreīrendan Fraser and Colin Farrell Stand Out Among New Batch of Best Actor Contenders Leslie Grossman Talks 'American Horror Story: NYC' and Ryan Murphy: 'This Season Is Very Personal' Vincent (Cheyenne Jackson) due to pre-existing mental health issues, but the election has exacerbated her anxiety and it’s causing her to see things that aren’t there… or are they? Our lead protagonist is Ally Mayfair-Richards (Sarah Paulson), a married mother of one who co-owns a restaurant in Michigan with her wife, Ivy (Alison Pill). ![]()
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